Stories, Musings & The Vision Thing

Tag: NYT

Making a Difference

From the Creative Mornings archive

“One person can make a difference.” We hear that a lot. Well, I’d like to introduce you to designer and innovator Tina Roth Eisenberg, aka SwissMiss. 

Tina’s philosophy: “Don’t complain, make it better.” So, being put out by expensive and unwieldy design conferences, she re-imagined the whole experience as Creative Mornings: a free breakfast lecture series run by volunteers. Launched in NY, so far it’s spread to 34 cities around the world. Everything happens for free: producing the event, the space, the speaker, the breakfast, the videotape archive. All volunteer driven. And because each session is videotaped, she wanted to create an evolving archive for all that creative energy.  So she went to Kickstarter, hoping to raise $35,000. Here’s her campaign video:

If the video doesn’t play, click here
Her goal was reached on the first day of the campaign. And Creative Mornings is thriving, with interest in expanding it to new cities. 

So how did Tina evolve from designer-for-hire to innovator and entrepreneur?  Here’s an in-depth interview from a blog profiling creatives: The Great Discontent. And you can see what else she’s up to on her website. So, I’d say yes, the efforts of one person can make a difference.

And what kind of difference can two people make?  If the two people are Eli Pariser, former exec. director of MoveOn and Peter Koechley, former managing director of The Onion, more than you might think. Tired of how the news has been homogenized and trivialized they longed for something else. Their solution: a mashup of Eli’s political passion and Peter’s sense of humor. They’ve dubbed it Upworthy and it flings the news they choose throughout the social network, using headlines and visuals to pique your curiosity.
 Their mission: “to make important stuff as viral as a video of some idiot surfing off his roof.” The NYT calls Upworthy “serious news built for a spreadable age, with super clicky headlines and a visually oriented user interface.” Here’s an example of what you might find in their daily flow:

And video grabs, like this one of Bertrand Russell’s message to the future:

If the video doesn’t play, click here

Upworthy launched in March and seems to have the right formula. According to the NYT, it’s off to a faster start than the Huffington Post with 2.5 million unique visitors in just its third month. 

Finally, one other little tidbit I found that shows that the life of the mind still burns brightly. At least in Brooklyn. Check out this video from the NYT.

If the video doesn’t play, click here

So here are people who’d rather light candles than curse the darkness. And I hope their efforts will inspire us, too. Because, if you just think about one thing you can do to satisfy that urge to create, innovate or show a little vision and just do it, we will all be the better for it.

Photojournalism: Something Old, Something New

Both photos by Todd Heisler

It all started with a blog in the NYT about the death of photojournalism.  Quoting Neil Burgess, former UK Bureau Chief of Magnum:  “Magazines and newspapers are no longer putting any money into photojournalism. They will commission a portrait or two. They might send a photographer off with a writer to illustrate the writer’s story, but they no longer fund photojournalism. They no longer fund photo-reportage. They only fund photo illustration.”  

His comments remind me of one of the great examples of modern photojournalism that originated in the NYT photography blog, Lens.   One in Eight Million was groundbreaking, based on the simple concept that NY is a city of interesting characters.  Each piece (running about three minutes) plucked a New Yorker out of their every day life and told their story with a sound montage of their voice and evocative B&W photography by a NYT photographer.  The people came from all walks of life and the series described as an “ode to the city,” won an Emmy for “new approaches to documentary.”  I found “One in Eight Million” fascinating, posted several blog entries about it, “One in Eight Million” “Letter to Michelle McNally” , told friends and colleagues.   It takes empathy and considerable skill to create a compelling story arc in three minutes.  You can still see the pieces by following the link above.  

But that was that.  For whatever reason, the NYT decided to end it.  I’m sure that Emmy was a bittersweet moment for the series producers and photographers.

I see other examples, too.  Here’s a link to NYT Photographer Chang Lee’s innovative “Second Chance” series that also died on the vine.  It launched in the NYT website in June, 2009 and I believe ended later that year.  I wrote several blog posts “A New Way of Seeing” and “Capturing the Stillness” about his work, too.   Chang was incorporating video and photography to frame a person’s story in key “moments.”  He created those moments to allow the viewer time to pause and reflect, and gain a deeper insight into the story he was telling.  They say a picture is worth a thousand words.  Chang Lee helped show the truth behind the cliche.

So, for about a year or two, the NYT was one of the most innovative sites on the web for using video and photography to tell stories.  And yes, I still see the names of their great photographers in picture credits, but now it’s news photography, not explorations of ideas, issues, people, environments, etc. that seemed to offer such promise in the early days of Lens.

Well, I can’t end this post with such a downer, so I want to point you towards something new.  New to me, anyway.  And that’s a new site devoted to photojournalism.  It’s called Fraction Magazine and it features a wide variety of work, much of it devoted to telling stories with pictures.  And reviews.  And sometimes wonderful surprises, like the work below, created in the 40s by Gita Lenz.  Her work, recently rediscovered and published, was featured in the Edward Steichen-curated exhibit “Abstraction in Photography” at the Museum of Modern Art and calls to mind some of the great work of that era.

And these days, Fraction is a great place for those interested in new ways of using images to capture character and exploring the art and ambiance of storytelling.  And, hopefully, it will be around for a long time as a source of inspiration for all of those involved in the visual arts.